THE BLADE - TOLEDO, USA (Boris Nelson)
"(...) Hauser puts out enough energy to light up any piece of music ....Insisting on utmost precision, his beat was clear, but he also added a body technique to his baton work that choreographed what he wanted.... and that was music of excitement, intensity, warm lyricism, and a very large degree of sheer beauty of balanced sound(..) ...the program ended with....Ravel’s Daphnis et Chloe, ... a show piece for both orchestra and conductor. And believe me, both made the very most of it... Conducting everything without a score, he (Hauser) was intense to the point of crackling and relaxed with a warm passion, mounting tensile climaxes and always aware of the line of the music.... The salvos of applause that echoed through the hall and the many recalls were completely deserved. The orchestra (Toledo Symphony) never sounded better..."
"(...) Hauser puts out enough energy to light up any piece of music ....Insisting on utmost precision, his beat was clear, but he also added a body technique to his baton work that choreographed what he wanted.... and that was music of excitement, intensity, warm lyricism, and a very large degree of sheer beauty of balanced sound(..) ...the program ended with....Ravel’s Daphnis et Chloe, ... a show piece for both orchestra and conductor. And believe me, both made the very most of it... Conducting everything without a score, he (Hauser) was intense to the point of crackling and relaxed with a warm passion, mounting tensile climaxes and always aware of the line of the music.... The salvos of applause that echoed through the hall and the many recalls were completely deserved. The orchestra (Toledo Symphony) never sounded better..."